Black Bottle Blended Scotch

I’ve had a lot of recommendations for this. Lesson learned: Commenters know what’s up! This is good stuff at an amazing price. Read on:

Black Bottle is a blended scotch comprised of (according to the website) “seven of the island [Islay]‘s classic malts alongside some of the finest grain available.” Since Islay only has eight active distilleries (Lagavulin, Laphroaig, Ardbeg, Bowmore, Caol Ila, Bruichladdich, Bunnahabhain, and the too-recently-opened Kilchoman) and it’s unlikely to contain any of the very rare and sought-after closed distilleries (Malt Mill, Port Ellen), I think we can safely say what’s in it. In fact, before Kilchoman opened, Black Bottle’s marketing verbage proudly proclaimed the inclusion of product from “all of Islay’s single malt distilleries”. The Black Bottle brand is now owned by Burn Stewart Distillers Ltd., which also owns Bunnahabhain, so it’s also a safe bet that a lot of that distillery’s malt makes it into the blend.

Black Bottle tends to win a lot of awards and has quite a following, even among malt-heads. Oh, here’s the kicker: this guy’s only about $20 a bottle in the US.

Nose: Tarry, earthy overtones, with a smoky barbeque sauce-like sweetness. Oh God, now I can’t smell anything but barbeque sauce! The alcohol tickle is piquant – despite the baseline 40% ABV, this crawls right up your nose. Undercurrents of chewing tobacco and mulching leaves.

Palate: Nice creamy mouthfeel. Green and vegetal up front, then some salted caramels and finally a burst of woodsmoke. Very tame on the tongue. Really, it’s very orderly for something that’s all Islay.

Finish: Only of medium length, despite all the peat. Sweet, burnt sugar, freshly-dug earth. Very mild bitterness in the back on the tongue. Remains sweet and smoky through the fade-out. Pleasant.

With Water: Several drops of water yield processed white sugar in the nose, but kill the smoke. Mouthfeel is not compromised, but the finish is more grassy and bitter. This doesn’t need water – I wouldn’t bother.

Overall: I can see why this has a following. It’s peaty in all the right ways, has the thick, viscous mouthfeel that only a blend with good grain whisky has, and is the right price. At $20, this blows The Black Grouse, Finlaggan, and the mildly-peated Johnnie Walker Black Label out of the water, no contest. Really, a $20 peated blend and I can’t find anything bad to say about it.

Also, it’s worth pointing out that this bottle is a perfect choice for mixed drinks that call for a smoky note. While most of us wouldn’t dream of pouring Lagavulin 16 into a shaker, Black Bottle has both the price point and the level of quality necessary to be great in a cocktail.

I suppose if you were jaded enough, you could say this blend is on the tame side of the peat spectrum. Personally when I’m in the mood for peat I want the full, intense single-malt experience, so I’m not likely to stock a bottle of this… but if you’ve been frustrated in your efforts to find a value blend and enjoy peat, this is your bottle. Either way, I’m calling it a “Must Have” because you can’t find a better peated blend – or almost any blend, for that matter – for this price.

Black Bottle Blended Scotch
40% ABV
ScotchNoob™ Mark:
Price Range: $18 - $25
Acquired: (30ml sample bottle purchased at Master of Malt)
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Clynelish (14 year)

How have I not had Clynelish yet? This glaring hole in my whisky journey was remedied last night, thanks to a 30ml sample I purchased (along with 33 (!) others) from Master of Malt‘s Drinks by the Dram service. If you want to try a bunch of whisky without buying whole bottles, and your home state/country/province allows residential shipment of alcohol, there is NO better way than Drinks by the Dram. Just be warned that 30ml is not a lot of liquid.

Clynelish has a confusing history. What we see on the shelf now was distilled at a large, modern facility built in 1967-1968 to supplement the two pot stills at the old Clynelish distillery, which is now referred to as Brora. The old distillery, built in 1819, had a long and varied legacy of producing highly-regarded (and often sold-out) malt whisky. Today, the name Brora causes single-malt fanatics to foam at the mouth because of its rarity and exclusiveness – the distillery was closed for good in 1983. Bottles labeled “Clynelish” and distilled before 1967 would have been well-peated and originated in the old distillery. Bottles labeled “Clynelish” and distilled between 1967 and 1983 could have come from either distillery (which for a short time were named Clynelish 1 and Clynelish 2!) although the newer facility used lightly-peated malt (around 30ppm, compared to Highland Park’s 20ppm and Ardbeg’s 50ppm) and thus can be distinguished. Anything labeled “Brora” was distilled at the old distillery between 1967 and 1983 and is very valuable now.

Diageo uses the lion’s share of the “new” Clynelish distillery’s output to form the basis of its Johnnie Walker Gold Label blend, as well as other Diageo blends. Until recently, the only source of Clynelish single malt was through independent bottlers and one-off releases (such as Diageo’s Flora and Fauna series). Now, thankfully, official bottlings of Clynelish 14-year and a Distiller’s Edition are available. Clynelish distillery is positioned on the eastern coast of Scotland’s North Highland region, somewhat near Old Pulteney. Its malt is often said to be waxy, briny, and mildly peated. Although unconfirmed, I’ve read that the malt is aged in both ex-bourbon and ex-sherry casks.

Nose: Fresh ripe plums, red grapes, indeed a whole fruit punch barely masking deep, nutty barley. A sour high note stands out – similar to Highland Park’s floral peatiness, this hint of citrus is very well-integrated – so much so that I didn’t realize the malt was peated at first. Everyone else detects a note of brine – but I’m not getting it. A very robust, multi-layered aroma, and one that stands up to a lot of analysis.

Palate: Somewhat thin mouthfeel, but also soft with round, welcoming flavors of caramel. The peat notes dance on the palate – sprightly and bright – while the whole evolves to a saltwater taffy-like interplay of sweet, salty, and fruity. I love a whisky that changes – progresses – on the tongue, and this does it better than most.

Finish: Ahh, now I get the brine. Like the taste of seawater in your mouth after swimming in the ocean. Drying, and more smoky now. Black pepper, sticky dates, and salted caramels. A twist of bitter lemon peel on the exit. Relatively short finish, except for the lemon peel.

With Water: Adds candied lemon peel to the nose, thins the already-thin palate, burns a bit more than expected on the tongue, and does little for the finish. I don’t see any reason to add water to this, although a sip of water AFTER a sip of malt plays nicely – mitigating that bitter lemon peel note.

Overall: This reminds me of Old Pulteney – with a chameleon-like shifting from briney and smoky to soft and sweet to fruity and sour. While eclectic, I cannot call it disjointed. The transitions between personalities is seamless, and the experience whole. I’ve never had anything quite like Clynelish, and I think it’s an experience that any serious malt drinker should have.

Frankly, it’s a travesty that the majority of this ends up in Johnnie Walker. While no doubt the Johnie Walker tastes better with the Clynelish in it, the Clynelish can’t be anything but worsened by the marriage. Luckily, Diageo has thrown single malt lovers a bone by releasing and continuing this 14 year-old official bottling. We can just tell ourselves that all the “bad” Clyenlish goes into JW, anyway.

ScotchNoob™ Mark:

About The Distillery

Clynelish (Cline-Leash) is the sister distillery to the now-closed cult favorite Brora. When the old Clynelish distillery (established 1819 in the town of Brora in the far Northern Highlands, near the eastern coast) could not output enough malt to meet demand, a newer and larger facility was built next door in 1967. Eventually the old distillery was renamed Brora, and used heavily peated barley until it was closed during the whisky slump in 1983. The new facility, now owned by Diageo, continued to make a lighter, less-peated malt that featured prominently in the firm’s Johnnie Walker Gold Label blend. Process water comes from the Clynemilton Burn. Clynelish does not clean the precipitated oils and waxes that accumulate in its feints and foreshots receiver, and this choice may contribute to the distillery’s house character. Only recently have official bottlings of single-malt Clynelish been released, including a standard 14-year and a Distiller’s Edition. Any bottle distilled at the old Clynelish (Brora) distillery is highly collectible, and highly rare.
Clynelish (14 year)
46% ABV
ScotchNoob™ Mark:
Price Range: $49 - $55
Acquired: (30ml sample bottle purchased at Master of Malt)
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GlenDronach (14 year) Sauternes Finish

Occasionally, I get to treat myself. While ordering a batch of miniatures from Master of Malt for the drudgery of writing these blog posts (just kidding), I splurged and also ordered a bottle of the 14 year-old Sauternes-finished GlenDronach from their line of non-sherry barrel finishes. I’m a sucker for a Sauternes finish, and GlenDronach is fast becoming one of my top five distilleries, so this European-only release (a 700ml bottle) was a no-brainer.

This release was aged for an un-announced amount of time (I’m guessing between 12 and 13 years) in a “European oak” cask, according to the tin. This was then followed by a second maturation in a Sauternes cask until the age of 14. It is bottled at 46% ABV, without coloring or chill-filtration (music to my ears). I am uncertain of the provenance of the “European” oak casks used in the initial aging. It must be a batch of totally spent refill ex-sherry casks, as I do not get any of the spicy notes associated with French Oak, nor any sherry influence at all. Tasting blind, I would have guessed ex-bourbon because of the vanilla.

Nose: Sticky-sweet, with plump golden raisins and crystallized honey and a mild sour winey note. Peach syrup and dried apricots over vanilla-banana pudding. Cake frosting. Flawless nose – deep and inviting, but very (very) sweet.

Palate: Medium-bodied – slightly chewy, which is the only hint this is GlenDronach at its core. Pear drops, golden raisins, apricot Turkish Delight. Sweet. Almost – but not quite – cloyingly so.

Finish: Medium-short. First the mouth is enrobed in a candy-apple coating. This is stripped away by a flash of acidic freshly-squeezed white grape juice, which lingers while a hint of bitter, sappy oak creeps in. It fades away with green grape skins.

With Water: Water opens up a few cereal notes, but dulls some of the complexity in the nose. The water has a nice congealing effect on the palate – lessening the syrup and heightening the golden raisins and fresh grapes. Ditto on the finish. Definitely try this with water – but try it without first.

Overall: The experience is very similar to a syrup I made once by re-hydrating golden raisins in white port. Yum. This is dessert whisky, and no bones about it. While the GlenDronach house style (meaty/oily) is missing here – likely because the house style is closely associated with the sherry character of the flagship expressions – this is still one robust, flavor-filled escapade of a whisky. Sweet to the point of cloying, but excellently balanced by a grapey acidity and fruity complexity. Truly a pleasure, especially for a lover of dessert wines. I am not disappointed in my purchase from across the pond.

ScotchNoob™ Mark:

About The Distillery

Founded by James Allardice in 1826, GlenDronach distillery, after trading hands several times, was sold by Pernod Ricard to the Benriach Distillery Company in 2008. At that time, they announced a new style for the distillery flagship 12-year-old bottling, which was released in 2009. We can expect to see other changes in the distillery’s lineup. Fittings include a copper mash tun, Oregon pine washbacks, four steam-heated copper spirit stills and defunct floor maltings. While it sources the same malted barley as Benriach Distillery, either the water or the workings at GlenDronach yield a bulkier, heavier spirit that takes to ex-sherry casks very well.
GlenDronach (14 year) Sauternes Finish
46% ABV
ScotchNoob™ Mark:
Price Range: $62
Acquired: (Bottle) purchased from Master of Malt, UK. $62
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Green Spot Irish Whiskey

Green Spot is one of the few surviving “bonded” Irish whiskeys – made by the ubiquitous Irish Distillers Limited (originally at the Jameson Bow Street Distillery, and now at the larger facility in Midleton, where all IDL whiskeys are made) – but sold by the wine merchants Mitchell & Son of Dublin, Ireland. Originating sometime after Mitchell & Son began selling whiskey in 1887, ‘Green Spot’ refers to the family tradition of marking barrels of maturing whisky with a daub of paint to indicate their age – originally the shop sold Green, Yellow, Red, and Blue Spot whiskeys, most aged in the shop’s excess fortified wine barrels.

Today, only the green one remains of the line (although a 12 year-old Yellow Spot, aged in three types of casks, has recently returned to the European market). Green Spot is a single pot still Irish whiskey, meaning a combination of malted and unmalted barley is distilled together (triple-distlled, in this case) in a copper pot still, like Redbreast which is also produced at the Midleton distillery by IDL. Unlike most Irish Whiskeys, single pot still whiskies do not contain any column-still grain whiskey, making this style analogous to (but not the same as) single-malt. Green Spot is then aged in 75% American oak ex-bourbon barrels and 25% in sherry casks for 8-9 years, although it bears no age statement. It is likely caramel colored, chill-filtered, and bottled at 40% ABV.

It was re-packaged circa 2011 when IDL acquired the license to distribute Green Spot outside of Ireland (although IDL has not yet announced plans to ship to the United States, there are rumblings). Despite IDL’s claims that only the packaging has changed and not the whiskey, consensus online is that the newer one is lighter in style and could be younger than the “old” bottling. Without a sample of old Green Spot to compare, I cannot comment. Below are notes from my tasting of the “new” repackaged Green Spot from a 700ml bottle that I bought online via UK retailer Master of Malt.

Nose: Clearly sherried. Orange peel and candied ginger. Tangy and somewhat herbal. Green pear and cotton candy. Honey-lemon throat lozenges. After a rest in the glass, there is a fibrous fruitiness, like the skin of a red delicious apple. Even further in is a faint whiff of the nutty coconut I associate with bourbon-matured pot still whiskey.

Palate: Unctuous body – mouth coating. Minimal burn. Spicy ginger, apple cider, and nondescript grain.

Finish: Medium length, the honey and lemon lozenge remains behind as the spicy notes fade. No trace of bitterness. Simple and refreshing.

With Water: A splash of water reveals bright, fresh green banana on the nose, really washes out the palate, and adds a little peanut butter note to the finish. I wouldn’t recommend the water for how it affects the body. At 40% ABV, it hardly needs further dilution.

Overall: While it has the same mouth-filling unctuousness as Redbreast, the sherry notes seem to cover up the nutty/oily notes I associate with single pot still whiskey. There seems to be a lot of depth here, but it’s hidden by a layer of simplicity. One must really search for the complexity. Still, it is tasty and unique: nobody else makes a sherry-matured Irish single pot still.

With Redbreast’s popularity and the distinct lack of competition in the market for single pot still Irish whiskey, I imagine that IDL is looking very hard at ramping production and distribution of Green Spot, and that they intend to address the US market at some point. With its lighter style (closer, in fact, to the very popular Jameson) and the surge of interest in single pot still, I think this would be a killer product in the US right now.

Note: I don’t usually do this, but I feel that Green Spot warrants a second look. I feel there is more to discover, so I will be updating these tasting notes and possibly my conclusion sometime this week – watch this space.

Green Spot Irish Whiskey
40% ABV
ScotchNoob™ Mark:
Price Range: $50 - $60
Acquired: 700ml bottle purchased at Master of Malt, $55
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Nth Whisky Show 2013 – Las Vegas

The Universal Whisky Experience event, now in its third year, is coming up in March 2013. Last year’s show made a big splash in the media for its over-the-top budget, ridiculously pricy pours, and matching ticket price. This year is no different. The show caters largely to the whisky aficionados and collectors with money to burn (the cheapest ticket is $275, and the “VIP” ticket $2295). Follow the link for more info. David D. over at K&L had a lot of nice things to say about last year’s event. If you’re interested in going, and you’re a K&L customer, he may be able to get you a discount too.

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Compass Box Oak Cross

I write this with something of a heavy heart: I love most everything that John Glaser creates, and have ultimate respect for the man. Unfortunately, Oak Cross didn’t resonate for me, as I’ll describe below. Either something in the mix reacted specifically with my tastes, or John’s experiment went a little wide of the mark. Whatever it is, I can’t recommend it based on my tasting. Out of a sense of balance, though, everyone should go buy a Great King Street or Hedonism instead!

What is Oak Cross? The name refers to a John Glaser experiment to ‘cross’ the oak maturation styles of American quercus alba and French quercus alba (oak), which is rarely used in whisky maturation. American oak generally imbues spirit with notes of vanilla – which can be readily tasted in bourbon, while French oak imparts much stronger, spicier flavors of clove and nutmeg which are redolent in Cognac and Armagnac. John took several already-aged (10 to 12 years in American oak) malts, vatted, sorry, blended them and married them in a second maturation of up to 2 years in 60% first-fill ex-bourbon casks, and 40% ‘Oak Cross’ casks made by fitting new French oak heads onto American oak casks. The result was bottled at 43% ABV without chill-filtration or added color. This is a blended malt scotch whisky, with no grain whisky added (that would have made it a blended scotch whisky).

While the marketing materials for Oak Cross state only the villages in which the three malt components were made, interviews with John Glaser since have revealed the exact malts in the recipe: Clynelish from the village of Brora (for “fruitiness”), Teaninich from Alness (for “perfume”), and Dalliuane from Carron (for “meatiness” or weight) – all Highland malts. Alas, I haven’t had any of those malts on their own. Someday I will return to Oak Cross after sampling its components for a fun exercise in deconstructing the blend – also a good idea for a tasting party!

Nose: Honeyed, with bold notes of ground cloves, fresh vanilla bean, yeasty bread, and a distant whiff of rooty, earthy peat.

Palate: Soft and shy at first. Spice notes awaken, echoing the clove but adding cinnamon and black pepper. Dried ginger rounds out the spices, but clashes somewhat with them.

Finish: Peppery and drying, and of medium length. A smudge of fresh soil, a dash of toasting spices, a twist of something bitter and herbal.

With Water: Crystallized ginger. A bit maltier on the nose and the palate, which brings out a coating of caramel and helps to tame the spiciness. It’s better, on the whole, with water, although the interesting uniqueness of the clove notes get lost.

Overall: For once, the marketing babble hits a tasting note square on: a heady mix of perfumy vanilla and spicy ground cloves! Oak Cross reads like a scholarly essay on the effects of different woods on whisky, with a lot of technical detail and passion for the subject. Alas, the effect of such varied spice notes – sometimes clashing – is to shake up my palate and force me to analyze each distinct element without allowing me to appreciate the integrated whole. With Oak Cross, there is a lot of flavor, but not a lot of coherency.

I desperately hope that John Glaser never reads this review, because I have nothing but the utmost respect for his abilities – see my thoughts on his Great King Street and Hedonism. Unfortunately, Oak Cross just didn’t gel for me. The individual notes are interesting – truly the first time I’ve identified clove notes so clearly – but they do not combine harmoniously. While I would recommend anyone interested in the alchemy of wood and spirit give this dram a serious contemplation, I can’t suggest buying a bottle untasted.

Compass Box Oak Cross
43% ABV
ScotchNoob™ Mark:
Price Range: $42 - $55
Acquired: (30ml sample bottle purchased at Master of Malt)
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Tiers of Quality

How do you compare two whiskies when one costs $20 a bottle, and the other costs $50? Are statements like “the $50 whisky is more elegant and refined” useful to anyone? Has there ever been a situation where a $20 bottle was better than a $50 bottle?

As in most industries these days, products adhere to an ad-hoc set of quality tiers. When you produce a whisky, hundreds of factors contribute to affect its eventual quality. Some of these, such as the quality of ingredients, width of the heart cut, quality (expense) of maturation wood, and age of blending components are controllable. Some, like the specific makeup of the distillation system and the recipe, are more or less set in stone (unless you can afford to run 10+ year-long experiments). This yields an interesting dichotomy in the world of spirits production. Some products are created to be cheap. Johnny Walker Red Label, for example, is intentionally blended to hit a specific low price-point. Sure, Diageo claims that they create a “quality” product, but if quality was the only goal, there wouldn’t be price tiers of Johnny Walker – it would all be Blue Label, and it would all be expensive. Some products, however, are of high quality through some serendipitous accident of factors. Pappy Van Winkle bourbon, for example, is almost unequaled in the world of bourbon. Don’t you think if other bourbon distillers could match the quality of Pappy, they would, at whatever cost?

The booze world isn’t the only industry structured around this idea of intentional quality tiers. Kitchen equipment, power tools, computer components… almost everything you can buy is segmented into “value” options and “quality” options. This idea stuck in my head when I was drinking coffee made from beans from a local coffee roaster. The quality was astounding, and yet just the day before I’d made downright wretched coffee – using the same procedure – from similarly packaged beans from Trader Joe’s. The major difference? Price. Go to Target, you can buy a $15 toaster, or a $100 toaster. At Sears, you can choose a $400 washing machine, or a $1400 washing machine. While the pricier one may have additional features, you can bet the big difference is in the quality and longevity of the components. See how long that $15 toaster lasts.

Of course, one can’t take a myopic view of this. Price does not necessarily equate to quality. Since many factors determine the final price (market buzz, cost of labor, cost of distribution) including the big one, economies of scale, an $80 bottle from a small craft producer may actually be of lower quality than a $50 bottle from a multinational conglomerate. It costs a lot more money, per barrel, to make a small amount of whisky at once than a large amount. This is especially true if a producer is limited by the size of stills, the availability of ingredients, and the amount of capital available to bond a warehouse for aging. Luckily for consumers, the downstream effect of making larger batches is generally a reduction in overall quality (exigencies of large-scale production require the overlooking of or inability to catch small flaws in the product), so those “small batch” whiskies are generally of higher quality than their big-batch rivals, and thus the price difference is justified.

Here’s the problem, though. A high-cost, but high-quality alternative is not always available. We had a repairman out to fix our ailing washing machine this week, and he told me something interesting. He said an older (15 year-old) model like ours would last forever with occasional repair and maintenance, while all of the newer models, including the most expensive, all fail after 5 to 10 years and can’t be repaired. Some company figured out that if it allowed enough manufacturing defects to enter the line by reducing quality controls and increasing efficiency, it would achieve two goals at once: reduction in retail cost and increase in replacement purchases. It didn’t take long for EVERY manufacturer to follow suit, leaving us with a swath of products that are guaranteed to fail, regardless of their quality tier, from TVs to toasters. The same thing happened recently in computer hard drives. A consolidation of the business in the last 5 years eliminated the two producers of consistently high-quality hard drives, leaving a market where every drive has above-average failure rates. It’s currently not possible to buy a 3+ TB internal 3.5″ hard drive with at least a 4/5 rating on Newegg.com.

It takes a big risk from an innovative company to break out of this mold. An arguable case in point: Dyson. They make some of the most expensive vacuums available – many twice the price of competitors – but they consistently top consumer advocacy ratings and customer reviews. They figured out that in a world full of breaking vacuums, people would pay top dollar for a reliable alternative. Until recently, Apple Computer has done the same thing with personal computers and mobile devices.

What does this mean for your whisky budget? The key is to identify the tiers, and set your expectations accordingly. If a whisky is targeted at a $30 price range, that’s an admission by its producer that either large-scale production or low-cost ingredients have created a sub-standard whisky that is meant either for mixing or for drinking “daily” – trading quality for cost. If a whisky is targeted at an $80 – $100 price range, though, it could be either an indication of a high-quality whisky with care, concern, and top-dollar ingredients put into its production… or it could be a money-grab by a company looking to profit from the global craze for whisky. Unless you’ve got an amazingly stocked local bar or an unlimited whisky budget, the only way to sort out the two is by reading online reviews and listening to advice from experienced friends. Don’t just read one, though – I usually check Google for two or three reviews before buying an entire bottle of an untasted whisky. In these times of escalating costs and plummeting quality (just look at The Macallan’s strategy for selling younger whisky for more money or Diageo’s Talisker 18 increases), it’s Buyer Beware for sure.

To help, check out my (somewhat outdated) list of price points. These are what I consider to be the tiers of quality available to the whisky consumer. Read with caution, though, because every day these become another few cents too low, and you MUST scale these values to match your local market. Many markets (such as Canada) are inflated across the board due to taxes, government controls, and import laws. My $30 tier may be your $50 tier.

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Peach Street Distillers Bourbon

American craft whiskies – particularly bourbons – have been cropping up everywhere in the last five years. It seems like every week I read about a previously-unknown distillery in some little town that has won an award or launched a national release of its whiskey. Luckily for these craft producers, most American whiskey can be ready to bottle in as little as a year or two. This is in contrast to scotch, which takes approximately ten years in barrel to mature enough for release. Of course, the stills can also be used to make and sell clear spirits like gin, white rum, and vodka to pay the bills. That makes the barrier to entry a lot lower for new enterprises in the US – expect to see even more of these small producers going big time in the near future.

Peach Street Distillers from Palisade, Colorado, makes a Colorado Straight Bourbon (a legal designation – the first of its kind in Colorado) aged at least 2 years in new oak. Unlike most modern brown spirits, Peach Street distills its mash ONCE before racking into oak. Presumably, this makes for a lower barrel-entry strength while retaining some extra character from the original mash. The mash is made from 60% locally-grown sweet corn, 20% rye, and 20% double-row unmalted barley. Barley catalyzes the fermentation of the other ingredients and is commonly added to corn-based whiskes, although not usually in this high proportion. Peach Street sticks to its craft sensibilities, making batches of less than 200 barrels each.

Nose: Cinnamon red hots, SPICY. A bit hot in the nose for 46%. Anise seed, spiced orange peel, caraway, baked apples.

Palate: Hot, young and excitable. Spices again. Some oak. Potently flavored. Bright – an enthusiastic newcomer.

Finish: Medium long. Taffy? Black licorice abounds. Some nice mild barrel tannins.

With Water: Adds some grass on the nose, and fresh raw corn. Makes the palate sweeter.

Overall: Well, it’s quite good. It has the air of an excited young pupppy, full of life and excitement and bounding with energy, as opposed to some older bourbons which are like plodding old hounds, wise in their years and contemplative. Unfortunately, young craft whiskey comes at a price. $63 for a 2 year-old bourbon? That’s the kind of price I might pay after touring the distillery and bringing home a souvenir bottle… but it’s unlikely to become a staple bourbon in my house with such a pricetag.

Peach Street Distillers Bourbon
46% ABV
ScotchNoob™ Mark:
Price Range: $63
Acquired: (1/4 oz pour) K&L Spirits Tasting
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Bank Note Blended Scotch

Arguably, times are bad. The economy is still in the dumps, unemployment is high, and the whisky industry is having a field day with rampant price increases. In the midst of this less-than-favorable market, there are still a few good ways to get a deal. Bank Note blended scotch from the Morrison family (owners of celebrated independent bottler A.D. Rattray) is 1 liter of blended scotch for $20. That’s cheaper than… well, just about everything else. Given the current market conditions, at that price, it -should- taste like garbage. It doesn’t. If you want something to lower your average yearly spend on scotch without having to buy Red Label, stop reading this now and go buy some of this. I have no idea how long the Morrisons can maintain stock at this price, but I can’t imagine they’ve got an unlimited supply; either quality or price will have to give as the market continues to balloon.

Bank Note is a blend of 40% single malts to 60% scotch grain whisky. That’s WAY higher than most blends, even though one must assume the malts aren’t worthy of bottling as single-cask products (or A.D. Rattray most certainly would have done so). At 43% ABV and 5 years of age (minimum), and a bonus 250ml due to the larger bottle, it’s hard to justify buying any other low-end blend as long as this is available. It’s no SIA or Great King Street, but it’s eminently drinkable, mixable, and at this price I swear I can taste the money I’m saving. Seriously, I should include ‘VALUE’ in the tasting notes!

Nose: Peach (indicating mild sherry), some brash young grain. Somewhat lemony, but otherwise standard cereal notes. Light and inoffensive.

Palate: Mid-creamy body. Nougat. Lemon gummy candies. Cocoa nibs. Very mild tongue burn.

Finish: On the short side. Caramel and freshly-baked bread. The lemon notes turn a little bitter – like lemon pith.

With Water: Reveals some vanilla in the nose, thins the body, and washes out some of the more interesting flavors. Perhaps more citrus on the finish, but I wouldn’t bother.

Overall: It’s certainly not bad. Compared to every other $20/liter blended scotch, it stands far above the competition. It lacks a substantial aroma, but presents a pleasantly sweet array of notes on the tongue, and does not reveal any of the off-flavors I usually get with young grain. The finish is, like the nose, unremarkable. I would still prefer Great King Street if I had only one blend, which is altogether more elegant and more balanced, but it’s also more than twice the price. I recommend this over Johnnie Walker Black Label, Chivas, Dewars, or any other sub-$40 blend. If this product remains available for this price, it will become my standard cheap blend. A rare example, these days, of whisky sold for a price below its value. If you need something cheap to get your wallet through the price increases we’re seeing lately, look no further.

Note: The “Must Try” rating reflects the quality-to-value ratio of this bottle. If you’re not looking for an alternative cheap blend, then this is not “must”-anything for you.

Bank Note Blended Scotch
43% ABV
ScotchNoob™ Mark:
Price Range: $20 PER 1 LITER (1000 ml)
Acquired: (bottle) K&L Wine Merchants, Redwood City, CA. $20.
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A Petition Worth Signing

By law, all spirits imported into the United States for retail sale must conform to a few specific bottle sizes (among them, 250ml, 750ml, 1 liter, 1.5 liters, etc). Nearly the entire rest of the world allows other bottle sizes, including the popular British de-facto standard of 700ml. This seems unimportant, until you realize that every producer of scotch must create an entirely separate bottling run, including special bottles and labels, in 750ml bottles in order to export to the United States market. While many of them do this because the US market is lucrative, a great many more DO NOT. This means many wonderful whiskies are enjoyed by the rest of the world and never seen by US consumers. This is especially true of single-cask bottlings and other limited editions. The effort to bottle for the US is usually not worth it for small-batch products.

This law is arcane, and its overturning would allow the importing of many amazing whiskies into the US as well as a decrease in the costs associated with bottling special runs earmarked for the USA. This sounds like a win-win to me. If you love scotch, I urge you to both sign this petition AND tell anyone you know who likes scotch to sign it too.

https://petitions.whitehouse.gov/petition/allow-700ml-and-other-sized-bottles-distilled-spirits-be-imported-sale-united-states/C15PWSmY

Short URL: http://wh.gov/PyJa

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